Palehound in a Sea of Color
Just released! This album consists of a 6-minute piece (“Palehound”) and a 61-minute remix (“In a Sea of Color”) for piano and accordion. The two complementary pieces use an extremely constrained set of pitches to explore timbre, dissonance, and resolution in very slow motion.
A live performance of tape-music techniques, featuring processed voice, accordion, and live-looping (and also eating healthy snacks into a microphone). Recorded live at the Uncertainty Music Series, New Haven.
“All in all, nevernaut is an impressive album of experimental ambient curiosities!”Kai Nobuko
Electronics improvisations edited and organized using mathemagics. Drawing on noise music, free improv, Baroque counterpoint, Varèse, and implemented using Goodwill cassettes, dusty boom boxes, and discount guitar fx pedals.
Only Numbers Remain
Inspired by experimental guitarist Derek Bailey’s practice of jamming with pirate “jungle” stations in the late 80’s, I wanted to advance this concept using raggacore (drum n bass’s manic offshoot) and twelve-tone instrumental music. I tried to make a face-smacking combination of academic classical music and underground club music. Featuring Barry Seroff on guitar.
“Notes pass quickly away; numbers, however, though stained by the corporeal touch of pitches and motions, remain.”Scholia Enchiriadis
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