And as long as I’m discussing animated scores, I have to share the work of André Vida, whose work features scores that are literally animated – as in they come to life and spin around with eyeballs and movement in some sort of cross between Terry Gilliam’s animations for Monty Python and the jagged, splotchy boundaries of Jean-Michel Basquiat.
Unfortunately I can’t embed them here (and you really must see them!) – but if that description sounds intriguing, click through and check them out.
nate trier 